The Amritapuri Christmas play this year was based on Jesus’ parable of the prodigal son; with the main focus being on the love of the father. No names are used in the parable, so for the play the father was called Jonas, and his sons were Jeremiah and Matthew. Matthew was the son who left home.
Here are a selection of photos from the production. (If you click on the gallery the photos will be enlarged.)
Father with Matthew and Jeremiah as children
Father with Matthew and Jeremiah as children
Jesus
“The Collector”- he steals Matthews riches
City men dancing
Piggies
Piggies
Father celebrating Matthew’s return
Matthew singing about father’s love
Village celebrating Matthew’s return
Jeremiah angry that Matthew was being celebrated
Father talking to sons
Sons forgiving each other
Sons forgiving each other
Finale
Finale
There were so many beautiful songs. I’m going to share the audio from my two favorites. This first one, “I Search My Soul,” was written by my son Sreejit. In it, Jonas, Jeremiah and Matthew are singing simultaneously as they look within themselves.
Most of the songs in the play are original. There was one song though, that is commonly used by churches in plays about the prodigal son. Some of the words were changed to fit the script for this production, but it is basically the same as When God Ran written by Phillips, Craig and Dean. The song is so moving. I still cry every time I listen to it.
Matthew sings about his father’s love
I feel full of gratitude for everyone that worked together to create The Loving Father.
Thanks to Chaitanya who wrote the script and co-directed the play.
Thanks to Devapriya who choreographed the dances.
Thanks to Devika who co-directed the play with Chaitanya and played the role of Jesus.
Thanks to Jani who spends countless hours designing and sewing the costumes.
In most plays in India, the actors are not actually talking or singing. There is a group of musicians and singers who sit to the side of the stage who provide the instrumentation and the voices. So a special thanks to all of the musicians and singers who worked night and day to create and learn the dialogue and songs for this production.
And of course endless thanks to all the actors and dancers as well as those who sewed costumes, translated, created props, prepared power point slides, and set up and ran the lighting… and to anyone I forgot to mention.
To see all of the posts in this Amritapuri series, click here.
I’ve mentioned before that Amma teaches us to be like a bird perched on a dry twig, ready to fly at any moment. That lesson has been front and center for the play cast during the last three years.
Five or six years ago, when the play was on a darshan day, Amma said to hold it on the auditorium floor since she would be using the main stage for darshan. The participants built a small stage for the performance.
In December of 2014, Christmas Eve was again on a darshan day. Since the cast believed the play would be on the auditorium floor again, they were very creative in how they built the stage. It had three levels so that three scenes could take place at once.
Amma is asked where she wants to hold the play 3-5 days before the event. In 2014, they were shocked when she said that she wanted them to perform it on the main stage. She would finish darshan early, and watch it with us. While everyone was delighted that Amma wanted to watch, they only had 72 hours to adjust all the backdrops and choreography to fit on the smaller stage.
In 2015, the play was once again on a darshan day. While they knew they couldn’t count on it, they planned for the play to be on the main stage since Amma had wanted it that way the previous year. Days before the performance, she told them they would need to use the auditorium floor since she would be giving darshan on the stage. Everyone flew into action, building a stage for the auditorium floor and adjusting everything that needed to be adjusted. That year they just took it in stride, seeing it as the opportunity for growth that it was meant to be.
The December 2016 play would normally have been on a non-darshan day but, since it was a Leap Year, it ended up being on a Saturday, another darshan day. This time the play was planned so it would fit on either the stage or the auditorium floor. The leaders kept in mind that Amma could come up with an unexpected third alternative and that is exactly what she did. When asked where the play should be held, Amma informed them she would let them know on the day of the program.
While they were jolted by this response, they went on preparing the play, envisioning it in both places. The day before the event, thinking Amma, because of the size of the crowd, would most likely choose to hold the play on the auditorium floor, they installed the lighting and the backdrop. The gigantic backdrop was rolled and hoisted 30-40 feet above the auditorium floor.
On Christmas Eve morning, Amma was asked once again where she wanted the performance. She said she would decide later in the day. They still didn’t have a definitive answer at 6:00 p.m.
It soon became obvious that Amma wanted to see the play with us, so the backdrop and the lights were taken down around 7 p.m. I heard that it took 30 people to remove the huge structure of lights and carry it to the main stage. Both items were then reinstalled on the stage, while Amma was giving darshan.
Soon the cast were in their make up and costumes. All the props were ready to be put on the stage. Nothing else could be done until Amma finished darshan and the stage was cleared.
Darshan was over at 10:30 p.m. It usually takes hours to do the play set-up but they accomplished it all in an hour; the play started at 11:30 p.m. and proceeded without a hitch. The music was wonderful, the acting was wonderful and the dancing was wonderful. Never has one of their plays gone so smoothly.
The cast had handled all of the challenges with such grace, knowing that everything they experienced had purpose. What a lesson it had been in flexibility, persistence, patience, non-attachment, equanimity, and being like the bird perched on a dry twig.
I will write more about the play in a future post, but for now I will share some pictures I found on Amma’s Facebook page today. They will give you an idea of the quality of the costumes and backdrops and even glimpses of the acting.
The story was about Jesus’ parable of the prodigal son, with the emphasis being on the loving father. The first photo is of the father, the second Jesus, the third of one of the piggies, the fourth is a village scene and the fifth is of the prodigal son in despair.
After the play, Amma sang some songs and led a meditation. The photo below was taking after we sang a very rousing bhajan. She often ends those kind of songs by saying “Mata Rani Ki Jai” (Victory to the Goddess/Divine Mother) over and over and we respond “Jai” (Victory) each time with arms up. That is what you are seeing in this photo.
If you look closely you can see Amma. (The picture also shows you what the auditorium looks like and gives you a sense of how many people were present.)
Amma ended the evening by passing out Christmas cake to the thousands of people who were present. What a day it had been.
Prasad Giving
When I arrived at the head of the prasad giving line on Christmas Eve, Amma started hugging people faster. Our “shift” for handing Amma the candy and ash she gives to each person who comes to her for a hug lasts either two or three minutes. Usually the prasad giver only has the opportunity to hand her a few packets. Because she was going fast at that moment, I was able to give her many packets. I had a lot of fun.
I handed Amma prasad again on Christmas day. This time when I reached her, the person who was being hugged asked Amma a question. Amma had lots to say so I was able watch. I didn’t get an opportunity to hand her packets during my time, but I didn’t care. It was nice to be so close to her and after all, I had handed Amma so many packets the day before.
Karunalaye Devi
When I left the stage where Amma was sitting, one of the brahmacharis (male monks) started singing Karunalaye Devi, a song I mentioned in a previous post. Hearing it again felt like a gift.
When I returned to my room, I looked to see if the song was available on YouTube. I was surprised to discover that Amma has a YouTube channel that contains videos of many of her songs.
A version of Karunalaye Devi had recently been uploaded. The singing takes place in the Amritapuri auditorium, but there are also darshan scenes from her Indian tours. The man in the photo below is Swami Amritasvarupananda, one of Amma’s senior swamis.
Christmas Surprise
The afternoon of Christmas Day, I participated in the play cast celebration. It is always so much fun, and, considering all the challenges, they had even more than normal to celebrate about. At the end of the party, we heard that Amma had said any ashram visitor who hadn’t had darshan during the previous week could come for darshan that night. Since the crowds are so large at this time of year, we hadn’t even considered going until January.
It made for another late night, but it was so worth it. What a wonderful Christmas season it has been.
To see all of the posts in this Amritapuri series, click here.
“The fool doth think he is wise, but the wise man knows himself to be a fool.” “Love all, trust a few, do wrong to none.” “Love looks not with the eyes, but with the mind, And therefore is winged Cupid painted blind.”-William Shakespeare