This gray house has been in my neighborhood for 15 to 20 years, but I still find it strange to see in the midst of houses that were, for the most part, built in the 1920’s or 1950’s.

This gray house has been in my neighborhood for 15 to 20 years, but I still find it strange to see in the midst of houses that were, for the most part, built in the 1920’s or 1950’s.

Yesterday, I discovered a blog that was new to me, GarimaShares. The blogger and I have several interests in common so today I returned to her blog to read some of her posts. One was about a song that was posted on YouTube on September 24th. The video was watched by more than 8 million people on the first day. As of today almost 116 million people have seen the original video.
https://www.youtube.com/watch?v=d9TpRfDdyU0
Within a day there were other videos of people lip syncing the song. Some that were uploaded on the three days following the original release have more than a million views of their own.
https://www.youtube.com/watch?v=p8tkVn_yc8g
At this point, there are more than 25 pages of YouTube videos. I’m not giving an exact number because I gave up trying to find the end of the list.
I don’t know why this song has become famous, but I’ve just spent 45 minutes looking at videos of it, so beware, it is addicting! 🙂
Be sure to check out GarimaShares too. She is a 20 year old who is going to college in Delhi and writes prose and poetry about travel, art, and life. Her photography is beautiful.

Shared on Song Lyric Sunday
When I hear someone use the word “promise” the psychotherapist inside of me goes on alert. The images that come to my mind are children who are in trouble saying “I promise I won’t do it again” to their parents, or parents saying “You promised you wouldn’t do that again” to their children. I also think of bickering children saying to each other, or even to their parents, “You promised!” when someone doesn’t follow through on a promise.
It is important that interactions between adults stay equal with the adult part of one interacting with the adult part of the other. Two adults interacting in a way where one is acting like a parent and the other like a child can be very disruptive to adult relationships.
I think when people of any age hear the word “promise” their minds often add the word “forever”. “Forever” doesn’t take into account that we have a right to change our minds. We may have committed to something out of fear or without having taken the time to think the situation through. Also circumstances may change. When circumstances change then our commitments may need to change.
That doesn’t mean we should just say “I will try.” I’ve been told that Alcoholic Anonymous has a saying that “Triers are liars.” Too often when people say “I will try” they are saying it to get someone off their back and have no intention of doing what the other person is asking for. In my group room, I have a Yoda pillow that says “Do. Or do not. There is no try.”
I suggest people don’t make promises because to me that word in and of itself evokes a child or a parent-child response. I don’t think there is anything wrong with making commitments or agreements but it is important that those commitments be well thought out, clear and not come from an over-adaptive part of us. They should be made with an understanding that we aren’t going to be perfect and that if we decide at a later time that the commitment is not in our best interests we can look at what changes need to be made and re-negotiate it.
Post written for: Daily Prompt: Promises
Photo: Bickering Children by Bernhard Keil (1624-1687) via Wikimedia

Each week on Song Lyric Sunday, Helen tells us that it is fine to choose a song that has nothing to do with the prompt’s weekly theme. I’m taking advantage of that option this week so that I can present a song that addresses current events.
T.I., a rapper from Atlanta, Georgia, recently released a music video that shows “the reality that this country is living in.” T.I. remarked that he wanted the content to be “powerful enough to create the type of dialogue necessary to inspire some form of change.” The video is definitely not easy viewing but it is thought provoking and makes the point in an unexpected way. I believe it is well worth watching.
May the violence end soon.
This goes to the white boy that ran in the old church
I hope you get slow murked, and they torture you slow first
Ran in our place of worship to slaughter our grandma
Won’t go kamikaze for that, well what would you die for?
Hold up… I’ll wait, I’ll wait
Heard it from buddy who took for the fall for Watergate
The war on drugs was just a war on us
Give us all these guns, give us all this dust
Change all them laws, lock all of us up
Went from Freeway Ricky, on to BMF (free Meech)
Then hip hop came, that’s when we got rich
Cause white kids gravitated to it like all of us did
And that’s when they got slick
Invented the technology to take our shit
Diluted all of the artistry
Pardon me, somebody tell me what happened to Alton
Sterling, killed Philando right in front of the girl
And the world saw
Everybody’s reaction was, “Hell naw”
This modern day slavery, the prison publicly traded
And the jig’s up
The Constitution and Emancipation Proclamation’s just a fuckin’ piece of paper
Can’t you see we livin’ in a war zone?
Guess you don’t notice when you livin’ in it
Like every weekend it’s a man down
Ain’t got no pity for the innocent so I’ma represent it
Dedicated, tell ’em,
“Hands up, can’t breathe
Hands up, can’t breathe
Hands up, can’t breathe”
Hands up, can’t you see we livin’ in a war zone?
Every year, during the Onam festival, the Western residents in Amma‘s ashram in Amritapuri, India, create and perform a dance. It always contains a large group of people and many different segments. This year, for the first time, my daughter and son danced together during one of those segments. I haven’t seen the performance yet but I have seen some photographs. I am so proud of them.
(BTW, plays and dances in Amritapuri are always done barefoot.)





In 1996, I was on an airplane that “fell” 25,000 feet in about a minute’s time. For the next two hours we did not know if we were going to live or die. Since then I have had a sense that I am living on borrowed time. I think I was supposed to die that day, but Grace prevailed. Now, I see every moment I live as a gift and remember that tomorrow is not promised. I have a strong desire to live in a way that allows me to die without regrets.
When I was a new psychotherapist, I assisted in a therapy group led by Delphine Bowers. She used to ask clients if the actions they were thinking about doing would “contribute to their living or their dying.” That question has stuck with me for almost 30 years.
***
I believe I am contributing to my dying, instead of my living, when I am:
Overdoing
I am great at getting things done. There was a time in my life when I was working three jobs, going to school, and raising two children. Throughout my adult life, I have generally been unwilling to stop “doing” unless I get so sick that I can’t do otherwise.
In the last few years, I have made great strides in stopping that behavior. Still, it is not lost on me that I have back problems which have impacted my level of activity since mid-February. While 97% of the time I am resting and doing what I know I should do, I still find myself saying, “Oh it’s okay if I plant a few seedlings.” Or I do other minor garden work when I know I should be avoiding all leaning over and bending down. What will it take for me to learn this lesson? I shudder to think of the answer.
Overthinking
I used to obsess about anything I wanted to say for so long that I often lost the opportunity to say it. I also obsessed about things I did say, analyzing my words looking for errors or wondering if I had said something that made me look stupid. While I stopped those behaviors decades ago, I believe that overthinking is still the most common way I make myself miserable. And it is certainly the source of most of my stress. If I am offended by something, I may fixate on it. Worrying about the future also leads me to overthinking. The fact that I avoid mind-slowing spiritual practices, such as meditation, perpetuates the problem.
***
I have long been aware of my tendency to overdo and overthink. In fact I have written about those behaviors before. (Recovering from Overdoing, Stay in the Present and Stop Thinking!) In the last month, awareness of another way I contribute to my dying has resurfaced.
Emotions such as anger, sadness and fear are meant to show us that there are problems we need to deal with. If we feel the feelings and address the issues, the emotions are likely to flow through us. If we repress them, we probably won’t solve the problems and we may become depressed, anxious or sick.
I have been conscious of the fear in my body for a long time, but I used to bury my anger so deep that I didn’t even realize it was there. Now I feel the anger at the time it is triggered. My new awareness is that I am repressing my grief.
***
Stuffing Grief
When I was growing up, a frequent message from my father was, “If you are going to cry, I will give you something to cry about.” If I didn’t stop crying, I was usually spanked or sent to my bedroom. I learned it was not okay for me to express my sadness.
When I met Amma in 1989, grief began to erupt from inside of me. Generally that grief was not associated with any conscious memory. Even though I didn’t know what it was related to, I often had a sense that I was releasing the energy from traumas that had occurred earlier in my life. Sometimes I wondered if some of it was coming from other lifetimes, or if it was some form of “universal grief.” That spontaneous release of tears, which usually occurred during Amma’s programs, went on for several years. Letting them pour out felt very healing.
Then one day someone teased me about my tears. My childhood programming took over and I shut them down so fast it was mind-boggling. From time to time, something will still bring up that deep well of grief inside of me, but for the most part it is nowhere to be found.
A week or so ago, there was a moment when I felt sadness about my back pain and the resulting physical limitations. I shed a tear, or maybe two, before a firm inner voice said, “It’s good that you felt your sadness, but that is ENOUGH.” I saw that my father’s message was still operating within me. Certainly no healing can come from releasing one or two tears.
When I heard the news that Prince had died, I started crying, and I cried on and off throughout the week. The grief I felt was so deep, very similar to the level of emotion I experienced during my early years with Amma. While Prince’s “Purple Rain” album and movie, and especially the song “When Doves Cry,” was important to me in the 80’s, I hadn’t followed his career after that, other than taking my children to his 1988 Seattle concert. Even though I didn’t understand my level of emotion, I was aware that the tears I shed felt cleansing and therapeutic.
***
I believe that overdoing, overthinking and stuffing my grief are the three biggest ways that I am currently contributing to my dying. I know it is important for me to continue working on these issues and to keep the “Will this action contribute to your living or your dying?” question in mind as I make day-to-day decisions as well as when I consider long term decisions, such as when to retire.
I have no way of knowing whether I will live one more day or one year, five years, ten years or more. I am committed to making the most of every moment I have left in this lifetime.
Originally Published on May 6, 2016 as part of The Seeker’s Dungeon’s On Living and Dying event.
If you’d like to be one of the guest authors, you can learn more about the event here: 365 Days On Living and Dying.
This morning, my friend Kathie from ChosenPerspectives, posted a video of David Draiman, a songwriter and vocalist for the music group Disturbed, singing the 1964 song The Sound of Silence. In her post, she called it a generation bridging song. It indeed is that. I still have goosebumps from listening to Draiman’s version. In fact, for me, it is the most powerful rendition I have ever heard of this much beloved song.
Faith Eirans posted this profound and intimate look into her life and into her being on The Seeker’s Dungeon this morning. I thought it was an important post for me to share so am sending it your way.
When I was writing Sixty-Eight Years of Hair, I poured through my scrapbooks and photograph albums. This week I went back and looked through the college scrapbook again. I found it primarily focused on the non-academic part of my freshman year of college.
There were two letters I had written my parents and a letter one of my classmate’s mother had written my mother about me in the scrapbook. Looking at the photos and reading the letters was like standing in front of a mirror, one which reflected that year of my life. Continue reading “A Glimpse of My Life as a College Freshman (1966-67)”
I was a bit surprised when I discovered that the theme for this week’s Song Lyric Sunday was sex. I thought that would be a tough one for me to participate in as I didn’t think I knew any songs about sex, but that belief quickly turned out to be wrong.
Yesterday, I posted two songs about hair, my own (Sixty-eight Years of Hair) and a reblog of my son’s (Nearly Forty-two Years of Hair.) My friend Kathie from ChosenPerspectives used a video clip from Hair in her comment to my post. The songs from that musical are an important part of my history and I love them. I had no doubt I could find a song fitting for this week’s challenge in that play.
Hair: the American Tribal Love-Rock is a musical about the 1960’s hippie counterculture and sexual revolution. It was controversial for it’s depiction of drug use, irreverence for the American flag, profane language, racially integrated cast and ending nude scene. It opened off-Broadway in 1967 and on-Broadway in 1969. That version ran for 1750 performances. There have been many other productions of the Hair musical in the U.S. and Europe since then.
I attended the Atlanta International Pop Festival in 1970 and the cast from Hair performed there. I also thoroughly enjoyed watching a production of Hair with a friend in Seattle 8-10 years ago. I had forgotten about the nude scene at the end so that was quite a surprise!
The songs I have chosen for this Song Lyric Sunday are Black Boys and White Boys.
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